1. Caroline Nash
  2. Title 4
  3. Title 7
  4. Title 2
  5. Title 3
  6. Title 5
  7. Oli Leonard
  8. Steve Dimmer as Sid James
  9. Caroline Nash as Joan Sims
  10. Caroline Nash as Joan Sims

REVIEWS


FUNNY FACES

This original and interesting production that gives a glimpse into the real lives behind those Funny Faces is certainly worth seeing. A superb performance, enthralling from the first line until the last’ – Behind The Arras ****

‘.... minimally staged and reliant on two strong actors who can each hold their audience for the best part of an hour. 
Nash and Dimmer achieve this with ease: their performances are charismatic and convincing. Funny Faces is a satisfying show featuring two outstanding performances: very definitely worth seeing if you get the chance.’– Love Midlands Theatre

FROM ME TO 3792

'This is a very impressive and down to earth solo performance. '
 
'A captivating script with a very special performance.'
 
'Caroline Nash's compelling performance draws you in immediately and has you captivated for the duration. Nash delights as Diane.'
 
'As Diane, Caroline Nash was truly engaging; never once did you wish for another actor to appear or a melodramatic turn. Her performance was never overplayed and she quickly developed an emotional reality for the character; believable in every sense. - Helen Crutcher - Redbrick Online
 
'Nash soars in a performance of schizophrenic rhythms.' www.broadwaybaby.com


ROSE COTTAGE

.'the three actors create a genuine sense of ensemble and care' - Rod Dungate, Reviews.com

INVISIBLE

Directed with pace by Janice Connolly, 'Invisible' features strong performances from its leads Alison Belbin and Caroline Nash, whose relationship is both believable and poignant.

CALLING FOR HELP
 
Caroline Nash as Rachel the call centre team leader plays a blinder here. - Lichfield Live ****

 Caroline Nash and Oli Leonard are perfectly suited to the roles and play off each other with an extremely believable edge. Nash moves from being a deliberately irritating person, constantly upbeat seemingly at all times, and eventually develops onto one that you latter greatly enjoy the company of. It is a really enjoyable performance. - A Small Mind At The Theatre ****

 The two dimensional figures that greeted us at the start have become real people by the end as we see the gradual changes in their characters cleverly created by Nash and Leonard - a couple of years of life distilled into 100 minutes. - Behind The Arras ****